Sit, Stay, Heal: One Dog’s Response to 9/11

 

NOTE: This essay first appeared in the Bark magazine in November, 2001

It was then published in the best-selling anthology: Dog is My Co-Pilot (Crown: 2003)

It will appear as a chapter in Rex and the City, Volume II

© Lee Harrington

 

Sit, Stay, Heal: One Dog’s Response to 9/11

 

             Although my husband Ted and I lived only a few miles from the World Trade Center, most of my initial experiences of September 11th came from the television set. Ted, who works for CBS News and happened to have that day off, left our Brooklyn apartment within minutes of the attacks and didn’t come back for days. I couldn’t get to my own office, because the city had shut down, and outside, the streets were filled with a thick, unbearable smoke that adhered chemically to the back of your throat. For days, singed, horrible memos from places like Cantor Fitzgerald kept floating into my neighbors’ gardens, their messages unwelcome and unforeseen. So I chose to stay inside—just me and my dog Rex and the television set—and watch the world turn to ash.         

            Now, the television in our apartment is positioned such that if you’re lying on the sofa with your head on a decorative pillow, the screen is at eye level. This is also the level of my dog Rex’s head. All that morning, as I lay before the news paralyzed with feelings of uselessness and horror, Rex kept inserting his face between me and the television, plying me with a variety of facial expressions as if to get a response. We have a system of communication, Rex and I that involves eye movements and a diverse range of barks. If he’s hungry he looks pointedly from me to his food dish. He barks at his leash if he wants to go for a walk. But by the seventh hour of my non-stop, no-commercial-break, planes-crashing-into-towers paralysis, he simply stared straight at me, head cocked, with his mouth slightly open, as if he were trying to find the right thing to say.

            And what can one say that hasn’t been said already? What can one write that hasn’t already been writ?  I kept hearing during this catastrophe that the role of the media was to “create a narrative;” to keep people informed. But I was having a hard time believing that anyone who wasn’t a firefighter, a police officer, a nurse, doctor or rescue worker truly had a role. I mean, who needs another writer when the city is on fire? What could I do?

Again and again, the first plane would hit the South Tower, as seen from a wide, almost accidental northern shot.  Then the second plane would hit the North Tower: we'd see it first from the east, then from behind and below.  Then they'd show that guy on the ground looking away from the burning first tower, then recoiling in surprise and horror as the second plane hit.  Then we'd get the shot of the terrified people running up Broadway; then the ash-covered woman receiving a heart-wrenching hug from a Man in Blue.  As the days went by and the rescue efforts began, we got images of indomitable New Yorkers applauding the rescue workers on the West Side Highway; we saw heartbroken people posting missing persons flyers.  Three fireman valiantly hoisted an American flag a top the rubble while, on another station, a camera panned the Wall of Hope.  Teams of rescue workers passed buckets of ashes; President Bush vowed to "smoke 'em (the terrorists) out of their caves."  Then, throughout all this, Bernadine Healy of the Red Cross started to appear on every channel, telling you—yes, you there on the couch—to stop watching so much television.  "Avoid repetitive viewing of the terrible images," she'd say to me.  "Go out and do something.  Give blood. Volunteer."  And then they'd show the first plane hitting the South Tower. 

But I couldn't give blood because I'd recently had Lyme disease.  And the three places I'd approached to volunteer were already, overnight, overstaffed.  Sorry, they told me.  Try us again in a few weeks.   And so, hanging up the phone, I would go to the windows perhaps, and open them for a few minutes to smell the smoke and gaze in disbelief toward the non-towers, and then I would pace, and Rex—never a great heeler on leash—would follow me like, well, like a puppy, and match my every stride.  He'd follow me into the bedroom, and watch me with his confused, head-cocked look as I rifled through my chest of drawers looking for donatable T-shirts (There's no leash in there, he was probably thinking).  And he would follow me yet again into the kitchen, and sit with just the tip of his tail wagging while I gazed trance-like into our one food cabinet and debated the global usefulness of one can of French onion soup.   And always, always, I would shuffle back to the couch and the television set, determined, needing for some reason to see the first plane hit the South Tower. 

            By Tuesday, Rex had begun to increase his efforts to try to distract me. He pawed at me, crawled on top of me, licked my mouth. During Father Mychal Judge’s televised funeral he sat on my rib cage and wouldn’t budge. During the prayer service at National Cathedral he spread his body in front of the cable box and let out a deep, slow, you-forgot-to-feed-me moan. I simply cried and clicked from ABC to CBS to CNN. For seventeen timeless hours, while I watched that endless black smoke swallow all that hope, Rex brought me toys and tuggy-ropes, and held them before me with his tail a-wagging and a big dog-smile on his face. But it was no use. I just couldn’t see how Rex’s stuffed-animal cuteness, or the goofy way in which his lips stretched around the tennis ball, had a place in a world in which severed limbs could smash into a window at Starbucks; in which a human jaw could get lodged into concrete.

            Rex, however, was undeterred. He began to nudge my hand that held the remote, and nudge and nudge until that hand would rest on his head. Then we would sit like that, my hand holding the remote on top of his head. Giuliani was everywhere on that television set—at funerals, delivering press conferences, walking a fireman's daughter down the aisle.  And seeing him gave me comfort. And made me weep.  Here was a great leader, who until five days ago had been almost unanimously reviled.  And now this hated person would go down in history as a Great Man.  Oh, how I cried and cried.  For him.  For everyone.   For me.  I had never done anything great in my life.   At this, Rex would make a rumbling noise at the back of his throat that would roll into a full-fledged Spaniel a-woo-woo-WOO.  I'd look at him with surprise, having forgotten that I had a dog almost; having forgotten the hand that held the remote was on top of his head.  I thought of that crude joke about the ideal woman being one who is three feet tall with a flat head, so that a man could rest his beer on top of her head while she sucked him off.  I thought of this while watching human beings leap from the burning towers.

            Next Rex would try to flip my hand off his head into a new position—onto his belly, if he got it right. But I was too catatonic to scratch dog bellies. I’d tell Rex, sharply, to cut it out! and shove him off the sofa with my foot. Poor Rex at this point would recoil. We’d adopted him four years earlier. Whoever had him before us had been cruel. Sometimes, still, a sudden lift of a hand from a stranger could send Rex into a torrent of fear aggression and/or yelps. He now crept into a corner, sighed the sigh of a defeated person, and placed his head between his paws.

            Suddenly I felt guilty. I finally realized if I really wanted to be useful I should start by being kind to my own dog. Here Rex was trying to protect me from the evil things that seemed to be coming from the television set. From the evil things that seemed to fill the air of New York City like so much ash. I invited Rex back onto the sofa, and hugged him, and cried into his neck.

            “Do you want to go for a walk?” I asked him.  “A real walk?” Up until then I had merely sent him into our concrete courtyard to pee. 

            Rex barked and spun in circles, thrilled to hear that things might finally (to paraphrase Giuliani) be getting “back to normal.” I, too, felt a sense of purpose as I clipped on his leash. I was performing a great civic duty. Lost, shell-shocked people would pass by in taxis and on buses and say: “Look, there’s a woman walking her dog.”

            So off we went, down the few steps of my apartment building, and out into the day—a day so incongruously beautiful and autumnal I had to shield my eyes with my forearm like a vampire unused to the sun. Before me, Rex trotted: tail up, nose down, pulling forward, always forward, toward Prospect Park. He stopped only for kitties in store windows, or squirrels on fire escapes, or sidewalks filled with wantonly strewn food. He didn’t notice that, above us, four fighter planes circled the city. He didn’t notice that our local diner had posted a sign that said free comfort food. He didn’t even seem to notice the burnt-electrical-equipment smell, or the way the endless debris in the air sometimes caught the sunlight and sparkled to the ground in a not entirely unpleasant way, like tiny flickers of hope. Idiot children, some people call dogs. I’d call them blessed.

            Our usual mid-day route takes us past a fire station, and I have to confess that before September 11th I had barely even noticed it before. It was there, it was an architecturally significant neighborhood landmark, but the giant garage door was usually closed and I had given no thought to the people behind it, the men whose job it is to save and to serve. Once, on a rainy, busy day, I had even gotten miffed because a fire truck blocked the sidewalk, and Rex and I had to wait like two minutes to get across. Two minutes I could not give these men. And now the firehouse had become a shrine to their missing Twelve.

            I’d already seen it on television, of course—the candles, the flowers—but walking past the shrine was like entering a vacuum of sorrow and silence. No one spoke. The street—for reasons unrelated to the disaster—had been shut down to traffic. Nothing could be heard except a crying woman’s sniffles and the slight wind-tossed rustling of dried-up flowers. Rex tugged, to keep us moving, to get to where he’d spotted a cat the week before. “Wait,” I whispered. "Show some respect." Next to me, two teenage boys in Limp Bizkit get-ups leaned against one another, as if each were the other’s supporting beam. One openly wept. In the summers I teach creative writing to boys like this—boys who’d bring in Eminem lyrics during poetry week and convincingly compare him to Frost. Now, they faced the final photographs of their dads.

            It was all too much. Away from the news, I felt untethered, and I gave Rex the okay command to lead us home.

            Back at my apartment, Ted was finally able to get through to me on the telephone. And as he told me about his day—how he had had to interview the last surviving member of a Chinatown firehouse; how thrice they had to stop the taping so that he, then the cameraman, then the fireman, could collect themselves after breaking down—his voice was pinched and barely audible. And I realized that this was how everyone talked in New York these days. All those emotions bunched up inside our throats. All that deathly ash.

            “How are you?” Ted asked. “What are you doing with yourself?”

            “Nothing,” I told him. “I mean I’m doing nothing. I can’t write, I can’t read, I can’t eat. None of that seems important anymore. All I can do is cry.”

            Ted offered some words of comfort, then asked about Rex.

            “He’s sulking in a corner because I’m not paying enough attention to him.”

            “Put him on the phone,” Ted said.

            I placed the receiver underneath the flap of Rex’s left ear. “Who’s a good boy?” Ted began to say.  “Who’s my little boy?”  And as he went on, saying how much he missed Rex, and how sorry he was that he couldn’t be there with us, I stared at the television set.  I’d put it on mute, but there were still text banners you could read non-stop. america under attack, it had said the first day. Now it said, america rising. “You take care of your mother now,” Ted was saying. “You hear?” And Rex must have heard, because after Ted hung up the dog had a look on his face like that of Colin Powell at a White House briefing: confident, capable, in charge.

            That night, I fell asleep on the sofa, and when I came to it was about four in the morning and MSNBC was airing an amateur videotape of the second tower’s collapse. It showed a neighborhood so choked with dust and debris there was no daylight. And no color. In the background was a horrible noise—shrill beeping, like tiny sirens. I would later learn that the noise came from dozens of personal alarms of firefighters, but in my half-awake state that noise became the very sound of terror. Plus, there was a horrible weight on my chest that had no explanation, until I regained full consciousness and realized that the weight was of course Rex. He had positioned himself like a Sphinx on top of my torso and his elbows had managed to wedge their way between my ribs. Now, all Bark readers know that a sleeping dog gets heavier with each sleeping hour that passes, so I felt like the dog on top of me weighed three hundred pounds.  But still, I let him stay. I'd heard about a woman who’d survived getting pierced by shrapnel because a police officer had covered her body with his.

            In the morning, I vowed to get out and do something. To avoid repetitive viewing of the terrible images. To volunteer. After several false starts, with Rex at my heel as I shuffled from the window to the bedroom to the kitchen cabinet and back to the TV, I finally made it out the door at noon with a set of car keys in my hand. I was headed for a local animal shelter where I am a dog-walking volunteer.

            My first charge was a dog named Amy. “She just came in today,” the volunteer coordinator told me. “Owner surrendered. He’s been calling us for months asking us to take her, and suddenly we had a space. So he dumped her off and left her. She’s really freaked.”

            They brought out a delicate, small, wouldn’t-hurt-a-fly Shepherd mix who looked upset.  She didn’t acknowledge me or any of the other humans; she simply pulled me, the keeper of the leash, toward the door. We hurried out, down the sidewalk, heading west. Amy rushed up to sniff every doorway, alley and parked car. She pulled me across the street toward strange men, only to veer away in a new direction once she got too close. Close enough to know she had to keep looking. Nearby was a tiny, pock-marked park on the East River, which today was packed.  Stupefied onlookers stood on benches and lined the shore.  Amy lunged at her leash, trying to sniff every one of these people, but they barely noticed her. The smoke downtown was still too thick to reveal what lay beneath it; too dense to prove the towers really were gone. So they watched. And waited.

            Meanwhile, Amy kept pulling.  And I know—we all know—she was looking for her Person, but what could I do? Across the river, thousands of people were checking lists outside the Armory, looking for their Persons, too.

            At the next intersection, Amy walked in circles, as if trying to get her bearings, as if trying to figure out where she last saw Him. I tried to comfort her, to sweet-talk her: I stroked her flank and said her name. But Amy didn’t want my love. She wanted the person she had been assigned to. The person with whom she had an agreement: to love and to serve.

            Frantically, Amy dragged me in the direction of the shelter again—the point at which all things in her life started going wrong. In a last-ditch effort, she jumped onto a windowsill and peered into someone’s apartment. Inside, a woman was watching television. Bernadine Healy was probably telling that woman to get out and do something: to give precious blood, or volunteer. Get outside, I wanted to tell her. The real emotions are out here.

            I walked other dogs that evening but I couldn’t stop thinking about Amy. I wondered how long it would take Amy to “accept” that her Person was gone. How long it would take her to become like other dogs at the shelter—a little less determined, a little more resigned. And then I wondered how long would it take those who cannot recover the bodies of their loved ones to accept that those loved ones are truly gone.  I mean, how do you mourn someone who has vanished, as it were, into thin air? How can you accept what you don’t understand?

            Back at the apartment, Rex gave me a hesitant wag with just the tip of his tail, as if he was no longer sure he was supposed to show he was happy or not. I knelt down and gave him a good belly rub, and promised him a big turkey dinner with boiled potatoes and carrots and a gingersnap for dessert. When we first took Rex home from the shelter he hated us.  He was a violent, mistrustful dog and he tried to run away all the time. It had never occurred to me until now that Rex may have been looking for his Person back then. Perhaps, after four years, part of him still was. 

            Friday night, Ted finally came home from his non-stop work at the newsroom.  The greeting Rex gave him was riotous—a full body tackle, followed by tongue kisses, and then a loud crashing of canine and human skulls.  “Are you all right?” I said.  We were both laughing.  Then we looked at each other and hugged and cried.

            The three of us, happily reunited, went to a local, dog-friendly bar for a beer and some food. Ted and I sat at our usual table in the corner and let Rex do his thing, which is to tool around the bar and sniff under all the tables in search of French fries. People can pet him if they’re quick enough, but Rex usually scurries from table to table like a greased pig. Tonight, however, Rex could not move about so quickly, for the place was crowded and the air was thick with disbelief and concern. Our beers came, and Ted and I lifted our glasses and acknowledged how lucky we were that no one we knew directly was killed, and how guilty we felt to feel lucky at all, and how strange it was to mourn something so large and abstract, and when I looked around to check on Rex I saw that he was sitting at the feet of a stranger. The man—young, handsome, in his twenties—sat alone, and his eyes moved robotically from the television to his glass. Rex just sat there, waiting for something from him it seemed, that Colin Powell look on his face. I tried not to stare; I tried to pay attention to what Ted was telling me about his day and his job, but each time I looked toward their corner, Rex and his friend were getting more intimate. First the man was stroking Rex’s flanks and talking to him. Then he was scratching Rex behind the ears. He looked like he could have worked at Cantor Fitzgerald.  He looked like one of those hundreds of young white men shown in “Portraits of Grief.” He could have been anybody, but when he bent over and brought his face very close to Rex’s and spoke to him, I began to get worried. Rex still had a tendency, once in a while, to lunge at strangers if they set something off in him that reminded him of his past abuse. But now the man was on his knees, hugging Rex and crying into his fur.

            Ted and I used to joke that Rex would never make it as a therapy dog. He would vivisect the stuffed animals at Children’s Hospital and try to play tug with a cancer patient’s IV. But tonight, tonight, I realized that by depriving Rex of his need to comfort me, he had brought his comfort elsewhere—to a needy stranger.  I realized that he would never stop giving and loving, because, in Rex’s dog mind, that was his job.  As Ted and Rex and I walked home that night, we passed an ash-covered car that glowed a ghostly white in the light of the street lamp.  It seemed frozen in space and time, like something from Pompeii.  And on the front windshield someone had scrawled: You are not alone.  I gripped Ted’s hand and Rex’s leash.

            Perhaps if I see that young man at the bar again I should tell him about Amy. Perhaps that was my role.